Andrew Bogen
Myva Newman
Ellie Pelcyger
Faculty

Guillermo “Willie” Acuña is harpist for Mariachi Sol de México de José Hernández, a multi-Grammy Award-nominated ensemble. He also plays trumpet, vihuela, guitarrón, requinto and jarana. In addition to touring professionally in the US and Mexico, he teaches and gives workshops in the LA area.
Willie holds a degree in ethnomusicology from UCLA.

Guitarist and singer Mary Alfaro Velasco performs with mariachi and trio romántico ensembles in the LA area. She has also worked in academic and administrative roles at organizations including the Smithsonian Center for Folklife and Cultural Heritage, the Library of Congress Archive of Folk Culture and at LA Plaza de Cultura y Artes.
Mary holds degrees in music, music education, and Latin American studies from UCLA.

Marko Danilovski is a kaval, clarinet, saxophone, and zurla player from Gostivar, Macedonia. His musical interests include Balkan traditional/folk music, Byzantine Orthodox chant, and various near-eastern folk traditions.
Marko holds a degree in ethnomusicology from UCLA. He is currently pursuing a law degree at Southwestern Law School.

Guitarrón player Stephanie Del Rio has performed with traditional mariachi and mariachi fusion bands including Mariachi Divas, Las Colibri, and Flor De Toloache.

Kayle Khanmohamed began studying gamelan while pursuing a Bachelors of Fine Arts in 2014 in Composition under both I Nyoman Wenten and Djoko Walujo at California Institute of the Arts. Under their mentorship and guidance, he has taught at schools like California Institute of the Arts, University of California Los Angeles, California State Summer School for the Arts, Canyon Crest Academy, and more. He plays in multiple groups in the Southern California area such as Merdu Kumala, Burat Wangi, Kembang Atangi, Giri Kusuma, Ngesthi Budaya (now Kesuryan), Kyai Dhoro Dasih, Krama Bali, and more.

Arev has been a part of the Indonesian Gamelan world since 2015, before which she was a classical French Horn player. When she isn’t at gamelan practice or making found noise tracks, she likes to identify bird calls in nature.

Trumpeter Tristan Hurd tours and records with several nationally-respected ensembles and is an active arranger and educator.
Tristan holds degrees in music education from Central Washington University and trumpet performance from UCLA.


Olivia holds a Bachelor of Fine Arts from the NYU Tisch School of Arts.

Eli Chenevert graduated with Bachelor of Music in Violin Performance from the University of Puget Sound. He has studied with exemplary violin pedagogues Maria Sampen and Lorenz Gama. Now back in his hometown of Santa Monica, Eli gigs all over the Westside and teaches a private studio of violin and piano students.

Percussionist Aziz Yehia performs and teaches in the LA area, fusing music traditions including near eastern folk, jazz, classical and pop.
Aziz holds a degree in cultural anthropology from UC Berkeley.



Nancy Sanchez is a natural songwriter born in Toluca Mexico and now makes her home in Southern California. Nancy’s songs reflect her influences on both sides of the border, including Mariachi, Regional Mexican, Latin Alternative, and Jazz in both English and Spanish.

Violinist Bobby Álvarez has performed with and served as student director of Mariachi de Uclatlán, and remains an active performer of traditional Mexican music throughout Los Angeles.
Bobby graduated from UCLA with a major in Ethnomusicology and a minor in Visual and Performing Arts Education.

Hirotaka Inuzuka is a dedicated specialist in Balinese gamelan music who earned an MFA in World Music Performance from CalArts and developed his skills during ethnomusicology studies at UCLA. He has performed throughout the United States, founded Gamelan Merdu Kumala in Tujunga, California, and Gamelan Mojomanis in Indianapolis, Indiana, and is a member of the electronic gamelan trio Gong Gaada.




Wan Yeung is a pipa musician and music scholar from Hong Kong whose work bridges tradition and innovation. He began studying the pipa at age 12 and quickly distinguished himself, earning numerous accolades including a gold medal at an international Chinese instrument competition.
Wan holds a Ph.D. in ethnomusicology from UCLA and works across performance, research, and forensic musicology. His scholarship explores instrumental traditions in Hong Kong, nanguan music in Taiwan, and Cantonese opera in Asian American communities. Whether performing solo, with ensembles, or in interdisciplinary collaborations, Wan is committed to making traditional instruments feel alive and relevant, sparking curiosity, connection, and new conversations across cultures.
Founders

She holds a degree in ethnomusicology from UCLA and has completed studies in visual art at Holbæk Kunsthøjskolen.

He holds degrees in musicology from UCLA and the Universidad de Chile and a degree in music history from Oberlin Conservatory.
Advisory Board

Board
Shabnam Fasa – Executive Director
Saul Friedgood – President
Stacy McClendon – Secretary
Warda Agsous – Treasurer
Julius Reder Carlson – Co-Founder
Jeanne Kuo Riggins
Ben Wardrop
Sharon Morrill
Joel Pelcyger
Kaya Ralls